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The Hobbit CD – 完全版, 2012/10/4
英語版
J.R.R. Tolkien
(著),
Anthony Jackson
(監修),
Full Cast
(監修),
Heron Carvic
(監修),
Paul Daneman
(監修)
&
2
その他
価格 | 新品 | 中古品 |
Kindle版 (電子書籍)
"もう一度試してください。" | — | — |
Audible版, 完全版
"もう一度試してください。" |
¥1,800
| — | — |
マスマーケット, イラスト付き
"もう一度試してください。" | ¥1,215 | ¥842 |
カセット, 要約, オーディオブック
"もう一度試してください。" | ¥3,141 | ¥2,281 |
- Kindle版 (電子書籍)
¥350
獲得ポイント: 4pt 今すぐお読みいただけます: 無料アプリ -
Audible版
¥1,800 - ハードカバー
¥2,029 - ペーパーバック
¥2,131 - マスマーケット
¥1,666 - CD
¥2,561 - カセット
¥3,141
獲得ポイント: 31pt
購入を強化する
Dwarves, elves, goblins, trolls, dragons and wizards - these are the ingredients of J.R.R. Tolkien's wonderful fantasy, the prelude to The Lord of The Rings, now the subject of a major feature film series. The hero of the tale is Bilbo Baggins, a home-loving unambitious hobbit who is suddenly thrust into what turns out to be the biggest adventure of his life. Guided by Gandalf the wizard, Bilbo and a company of dwarves set out to destroy Smaug the Magnificent, a ferocious dragon who guards a treasure hoard. Their journey contains many dangers, and in facing them the reluctant Bilbo's great resourcefulness and courage surprises everyone - not least himself! Since it was first broadcast in 1968, this BBC Radio 4 dramatisation has become a classic in its own right, perfectly evoking Tolkien's magical other world and its enchanting, fantastic inhabitants.
5 CDs. 3 hours 45 mins.
5 CDs. 3 hours 45 mins.
- 言語英語
- 出版社BBC Physical Audio
- 発売日2012/10/4
- 寸法13.97 x 1.52 x 13.97 cm
- ISBN-101445846632
- ISBN-13978-1445846637
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商品の説明
レビュー
The Hobbit delivers a classic adventure. If you’re travelling with children and have a three-hour-42-minute journey to fill, the 1968 BBC dramatisation starring Paul Daneman and Anthony Jackson will keep everyone on the edge of their car seats. (The Guardian)
anyone who wishes to get an idea of what The Hobbit might be like as one faithful film... should seek this out. It might lack the dynamism of the cinematic adaptation, but the world it creates feels more dangerous and real (Andrew Blair www.denofgeek.com)
The BBC adaptation is well structured and Paul Daneman is incredibly well cast as Bilbo. If you don't already own this, then now is the perfect time to add this wonderful radio play to your collection. (Nick Smithson www.sci-fi-online.com)
anyone who wishes to get an idea of what The Hobbit might be like as one faithful film... should seek this out. It might lack the dynamism of the cinematic adaptation, but the world it creates feels more dangerous and real (Andrew Blair www.denofgeek.com)
The BBC adaptation is well structured and Paul Daneman is incredibly well cast as Bilbo. If you don't already own this, then now is the perfect time to add this wonderful radio play to your collection. (Nick Smithson www.sci-fi-online.com)
著者について
J. R. R. Tolkien was born in 1892 in Bloemfontein, South Africa. From 1925-1959 he was an Oxford Professor, first of Anglo Saxon and then of English Language and Literature, but is best known as the author of the fantasy classic The Lord of the Rings.
1分以内にKindleで The Hobbit: Illustrated by Alan Lee (English Edition) をお読みいただけます。
Kindle をお持ちでない場合、こちらから購入いただけます。 Kindle 無料アプリのダウンロードはこちら。
Kindle をお持ちでない場合、こちらから購入いただけます。 Kindle 無料アプリのダウンロードはこちら。
登録情報
- 出版社 : BBC Physical Audio; Unabridged版 (2012/10/4)
- 発売日 : 2012/10/4
- 言語 : 英語
- ISBN-10 : 1445846632
- ISBN-13 : 978-1445846637
- 寸法 : 13.97 x 1.52 x 13.97 cm
- Amazon 売れ筋ランキング: - 288,243位洋書 (の売れ筋ランキングを見る洋書)
- - 6,017位Fantasy (洋書)
- - 60,221位Literature & Fiction (洋書)
- カスタマーレビュー:
著者について
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カスタマーレビュー
5つ星のうち4.8
星5つ中の4.8
28,987 件のグローバル評価
評価はどのように計算されますか?
全体的な星の評価と星ごとの割合の内訳を計算するために、単純な平均は使用されません。その代わり、レビューの日時がどれだけ新しいかや、レビューアーがAmazonで商品を購入したかどうかなどが考慮されます。また、レビューを分析して信頼性が検証されます。
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2015年4月1日に日本でレビュー済み
違反を報告する
Amazonで購入
英文も比較的平易で、内容も楽しく一気に読めます。Audio Bookも一緒に買ったので、聞きながら読むと楽しさ倍増です。Audio Bookは、Rob Inglis 氏のUnabridged版がお勧めです。 abridged版は省略されているので、注意してください。
24人のお客様がこれが役に立ったと考えています
役に立った
2004年12月8日に日本でレビュー済み
Amazonで購入
指輪がどういうふうにBilboのところにやってきたのか、どうしてBagginsの名が危険なのか、なぜElvesとDwarvesが仲が悪かったのか、Flodo達が旅の途中で出会った、石化したTrollsは昔Bilboとどんなことがあったのか、など、三部作では詳しく語られていなかった事実がわかるので、前知識としては十分な内容で、知っておけば三部作をより深く楽しめます。これからという人は、the Hobbitを先に読破もしくは聴破(?)しておくことをおススメします。
全体的には、より子供向けという印象が強く、寝る前に聞いたら、逆に興奮してもっと先が聞きたいがために眠れなくなりそうなくらい巧みな話術ですすんでいきます。ところどころユーモラスな記述と、Inglisの豊かな語り口で、本当に楽しくあっという間に終結を迎えるでしょう。
Bilboが、事あるごとに自分の住処のカウチのことや、おいしいご馳走のことを思い出しては旅に出たことを後悔したりする記述は、笑いをこらえられませんでした。
三部作と比べると、あまり重苦しい雰囲気がなく、純粋に冒険ものとして楽しめる作品です。
印刷されたものも十分楽しめるけど、朗読版はほんとに楽しい仕上がりで、いっそう楽しめました。英語も三部作よりは比較的簡単で、これに慣れたら三部作の朗読版も聞きやすいこと間違い無しです。
全体的には、より子供向けという印象が強く、寝る前に聞いたら、逆に興奮してもっと先が聞きたいがために眠れなくなりそうなくらい巧みな話術ですすんでいきます。ところどころユーモラスな記述と、Inglisの豊かな語り口で、本当に楽しくあっという間に終結を迎えるでしょう。
Bilboが、事あるごとに自分の住処のカウチのことや、おいしいご馳走のことを思い出しては旅に出たことを後悔したりする記述は、笑いをこらえられませんでした。
三部作と比べると、あまり重苦しい雰囲気がなく、純粋に冒険ものとして楽しめる作品です。
印刷されたものも十分楽しめるけど、朗読版はほんとに楽しい仕上がりで、いっそう楽しめました。英語も三部作よりは比較的簡単で、これに慣れたら三部作の朗読版も聞きやすいこと間違い無しです。
2003年2月25日に日本でレビュー済み
Amazonで購入
ビルボの大冒険物語です。
The Lord of the Ringsよりも展開が速いので読みやすく、
ユーモアたっぷりで面白い。思わずくすっと笑ってしまいます。
そして、ビルボの奮闘ぶりが微笑ましいです。
指輪物語の前にぜひ、この本を読んでみてください。
私は最近The Lord of the Ringsを読み終えましたが、想像以上に
The Hobbitとの関連が多くて、「そうそう、ホビットでそんな事あったなぁ」
と懐かしく思ったり、「そうか、そういう事だったんだ!」と納得したり。
指輪物語を読む前にThe Hobbitを読んでおいてホントよかったなぁと
しみじみ思ったのでした。
指輪物語をより楽しむためにも、またトールキンの英語に慣れるためにも
まずはこの本をどうぞ。
The Lord of the Ringsよりも展開が速いので読みやすく、
ユーモアたっぷりで面白い。思わずくすっと笑ってしまいます。
そして、ビルボの奮闘ぶりが微笑ましいです。
指輪物語の前にぜひ、この本を読んでみてください。
私は最近The Lord of the Ringsを読み終えましたが、想像以上に
The Hobbitとの関連が多くて、「そうそう、ホビットでそんな事あったなぁ」
と懐かしく思ったり、「そうか、そういう事だったんだ!」と納得したり。
指輪物語を読む前にThe Hobbitを読んでおいてホントよかったなぁと
しみじみ思ったのでした。
指輪物語をより楽しむためにも、またトールキンの英語に慣れるためにも
まずはこの本をどうぞ。
2002年8月21日に日本でレビュー済み
Amazonで購入
The lord of the rings のBBCバージョンオーディオCDを試した方はもちろん、そうでない方も価値あるCDです。
もちろん、ringsは大好きですが、hobbitはそれ以上に好きです。ビルボの冒険物語ですが、ビルボの正直で崇高な性格がよく現れています。(最初はそうは思えませんが)ガンダルフは ringsに比べると、少し無責任な帰来がないでもない。でも、宝捜し、ドラゴン、エルフ、ファンタジーの原点だと思います。
内容も、英語も、ringsよりも子供向けなので、とっつきやすい。ドラマなので、朗読よりも楽しめると思います。ただ、ガンダルフの声が他のもの(ringsCD、アニメ、映画等)に比べて若すぎるのに違和感がありました。
もちろん、ringsは大好きですが、hobbitはそれ以上に好きです。ビルボの冒険物語ですが、ビルボの正直で崇高な性格がよく現れています。(最初はそうは思えませんが)ガンダルフは ringsに比べると、少し無責任な帰来がないでもない。でも、宝捜し、ドラゴン、エルフ、ファンタジーの原点だと思います。
内容も、英語も、ringsよりも子供向けなので、とっつきやすい。ドラマなので、朗読よりも楽しめると思います。ただ、ガンダルフの声が他のもの(ringsCD、アニメ、映画等)に比べて若すぎるのに違和感がありました。
2019年10月7日に日本でレビュー済み
Amazonで購入
I found this tale very much satisfying. Glad to have read it.
2003年6月21日に日本でレビュー済み
Amazonで購入
なんといってもビルボのキャラクターが素敵です!はじめはいやいや(と言うか無理やり)旅の仲間の一員にさせられてしまったビルボが、いつの間にか自分でも驚くほどの危機管理能力を発揮。さまざまな冒険を乗り越えて、みんなから頼られる存在になっていきます。
続く3部作と比べると児童文学の色が強い感じがしますが、内容はとても濃いと思います。私は先に3部作を読んでいたので返って、The Hobbitの楽しい部分、笑える部分にとても魅力を感じました。
3部作では旅の仲間達ははじめから過酷な旅とわかっていて出発しますが、The Hobbitでは「祖先の栄光とお宝をドラゴンから取り返すんだ!」と、基本的には意気揚々と旅を続けます。主人公達の気持ちのありようが全く違うので、続きの話ではあるのでしょうが、全く別の独立した話としても楽しめると思います。
続く3部作と比べると児童文学の色が強い感じがしますが、内容はとても濃いと思います。私は先に3部作を読んでいたので返って、The Hobbitの楽しい部分、笑える部分にとても魅力を感じました。
3部作では旅の仲間達ははじめから過酷な旅とわかっていて出発しますが、The Hobbitでは「祖先の栄光とお宝をドラゴンから取り返すんだ!」と、基本的には意気揚々と旅を続けます。主人公達の気持ちのありようが全く違うので、続きの話ではあるのでしょうが、全く別の独立した話としても楽しめると思います。
他の国からのトップレビュー

DFRR
5つ星のうち5.0
My Precious
2021年7月6日に英国でレビュー済みAmazonで購入
"In a hole in the ground there lay the YA fantasy genre. A nasty, dirty, wet hole, filled with the ends of swords and a perfumed smell."
One of my favourite genres seems to have gone to the wargs in the last few years. The rot probably started when J.K. Rowling introduced a new generation of young people to the joys of fantasy fiction. Standards dropped and social media helped create huge fandoms, and cult like followers, loyal to the brand. Fan fiction has also allowed anyone, no matter the talent, to write a "book" based on any intellectual property they fancy. Then Twilight happened and that was the beginning of the end. Publishers saw the kind of drivel that could make them rich and the Young Adult Fantasy genre was ripe for the picking. It began to move towards a new type of story, appealing to a new audience and asking a new question.
"What if Fantasy but with a girl one?"
Alongside the Strong-Female-Character™ protagonist, this new normal often contains a sprinkling of the following; "diversity*", some unsubtle social commentary, a patriarchal villain and most importantly, a poorly written, chemistry free romance with a handsome boy/angel/girl/minority/vampire/furry/other** that takes up half the book, often causing the plot to grind to a halt so the perfect lovers can stare passionately at each other for 50 pages. Bonus points for inserting a third wheel to create some false tension and so fans can pick a team.
After all, these books are written primarily for teenage girls, by former teenage girls***. Then there are the hordes of twenty-something women that receive advanced review copies and post their reviews on Goodreads****. These Goodreads girls, as I shall call them, might not be able to make a book successful, but they surely hold sway with publishers and more importantly, the content they publish. For it is said that "those who control the review copies, control the genre".
Thank Tolkien then, for the classics, and for the sexless, romance free world of The Hobbit. Although not entirely romance free as this book contains a beautiful relationship between a Gollum and his precious. Then there's the love between a Hobbit and his home, his breakfast/second breakfast/lunch/afternoon tea/supper/dinner/elevenses and his weed. Then finally there's the relationship between a dragon and/or a dwarf, and his treasure.
I'd take that superficial love over all the beautiful-perfect-people-fall-in-love-because-they're-both-beautiful-and-perfect-and-sometimes-there's-a-faux-love-triangle dross, that's infected the YA Fantasy genre since Twilight first ruined the word twilight.
I never thought I'd be pining for the days of Hunger Games knock-offs, but here we are.
But what of The Hobbit, you ask? Well, it's one of the finest young adult books ever written. At it's heart, The Hobbit is an adventure story. THE adventure story really. In fact, it's so jam packed with adventure, there's very little time for character development. Bilbo gets the lion's share and it's his adventure so I can't really grumble too much about the rather bland companions. Besides, there's so many wonderful things crammed into this short novel, it's never anything less than an entertaining page turner.
I truly envy any child who has yet to experience The Hobbit in book form as they read -or are read to- about Bilbo Baggins, dwarven guests, pipe smoking wizards, singing elves, hungry trolls, goblin caves, tricksy riddles, magic rings, eagle saviours, shape-shifting men, murky forests, giant spiders, prison breaks, barrel riding, secret doorways, greedy dragons, brave bowmen, brave hobbits, great battles and most of all, burglary. Saviour this book. Read it to your kids and hope it inspires them to read more, and maybe even to write. The beginnings of the next Fantasy classic might be this one story away... Someone has to drag the genre back from the brink.
If, like me, you have the stunted, feeble arms of a mammalian T-Rex, then you can listen to The Hobbit on audiobook, and it is a fine way to experience this most excellent of adventures. This review is based on the rather wonderful recording by Andy "CGI" Serkis. Riddles in the dark is even more memorable with the voice of Gollum™ and the whole thing is a joy to listen to.
I can't say anymore really, just read it if you haven't. There are still quality YA fantasy books to be found, even if you have to go 'there and back again' to find them.
* Black, trans and/or lesbian minorities -in order of perceived oppression by the American online- are the click generating hashtags of the moment. Make said minority the main character for more critical acclaim but less commercial gain. The readers might claim to be allies who want to read more books from a none cis-hetero perspective, but what they really, really want is a book in which the straight, white, female protagonist (them), gets a beautiful, shiny boy.
** But mostly boys, because that's hot insert-self fan fiction in the making.
*** Who may have started out writing terrible fan fiction. I blame Twilight, fifty shades of grey and low standards of literacy for this.
**** They're also liable to have Instagram accounts full of pictures of books next to foodstuffs, candles (dangerous), flora (not the marge), bedding and Apple products. The book lovers lifestyle is obviously lots of reading in bed by candlelight, surrounded by houseplants, munching on snacks and incessantly checking ones social media
One of my favourite genres seems to have gone to the wargs in the last few years. The rot probably started when J.K. Rowling introduced a new generation of young people to the joys of fantasy fiction. Standards dropped and social media helped create huge fandoms, and cult like followers, loyal to the brand. Fan fiction has also allowed anyone, no matter the talent, to write a "book" based on any intellectual property they fancy. Then Twilight happened and that was the beginning of the end. Publishers saw the kind of drivel that could make them rich and the Young Adult Fantasy genre was ripe for the picking. It began to move towards a new type of story, appealing to a new audience and asking a new question.
"What if Fantasy but with a girl one?"
Alongside the Strong-Female-Character™ protagonist, this new normal often contains a sprinkling of the following; "diversity*", some unsubtle social commentary, a patriarchal villain and most importantly, a poorly written, chemistry free romance with a handsome boy/angel/girl/minority/vampire/furry/other** that takes up half the book, often causing the plot to grind to a halt so the perfect lovers can stare passionately at each other for 50 pages. Bonus points for inserting a third wheel to create some false tension and so fans can pick a team.
After all, these books are written primarily for teenage girls, by former teenage girls***. Then there are the hordes of twenty-something women that receive advanced review copies and post their reviews on Goodreads****. These Goodreads girls, as I shall call them, might not be able to make a book successful, but they surely hold sway with publishers and more importantly, the content they publish. For it is said that "those who control the review copies, control the genre".
Thank Tolkien then, for the classics, and for the sexless, romance free world of The Hobbit. Although not entirely romance free as this book contains a beautiful relationship between a Gollum and his precious. Then there's the love between a Hobbit and his home, his breakfast/second breakfast/lunch/afternoon tea/supper/dinner/elevenses and his weed. Then finally there's the relationship between a dragon and/or a dwarf, and his treasure.
I'd take that superficial love over all the beautiful-perfect-people-fall-in-love-because-they're-both-beautiful-and-perfect-and-sometimes-there's-a-faux-love-triangle dross, that's infected the YA Fantasy genre since Twilight first ruined the word twilight.
I never thought I'd be pining for the days of Hunger Games knock-offs, but here we are.
But what of The Hobbit, you ask? Well, it's one of the finest young adult books ever written. At it's heart, The Hobbit is an adventure story. THE adventure story really. In fact, it's so jam packed with adventure, there's very little time for character development. Bilbo gets the lion's share and it's his adventure so I can't really grumble too much about the rather bland companions. Besides, there's so many wonderful things crammed into this short novel, it's never anything less than an entertaining page turner.
I truly envy any child who has yet to experience The Hobbit in book form as they read -or are read to- about Bilbo Baggins, dwarven guests, pipe smoking wizards, singing elves, hungry trolls, goblin caves, tricksy riddles, magic rings, eagle saviours, shape-shifting men, murky forests, giant spiders, prison breaks, barrel riding, secret doorways, greedy dragons, brave bowmen, brave hobbits, great battles and most of all, burglary. Saviour this book. Read it to your kids and hope it inspires them to read more, and maybe even to write. The beginnings of the next Fantasy classic might be this one story away... Someone has to drag the genre back from the brink.
If, like me, you have the stunted, feeble arms of a mammalian T-Rex, then you can listen to The Hobbit on audiobook, and it is a fine way to experience this most excellent of adventures. This review is based on the rather wonderful recording by Andy "CGI" Serkis. Riddles in the dark is even more memorable with the voice of Gollum™ and the whole thing is a joy to listen to.
I can't say anymore really, just read it if you haven't. There are still quality YA fantasy books to be found, even if you have to go 'there and back again' to find them.
* Black, trans and/or lesbian minorities -in order of perceived oppression by the American online- are the click generating hashtags of the moment. Make said minority the main character for more critical acclaim but less commercial gain. The readers might claim to be allies who want to read more books from a none cis-hetero perspective, but what they really, really want is a book in which the straight, white, female protagonist (them), gets a beautiful, shiny boy.
** But mostly boys, because that's hot insert-self fan fiction in the making.
*** Who may have started out writing terrible fan fiction. I blame Twilight, fifty shades of grey and low standards of literacy for this.
**** They're also liable to have Instagram accounts full of pictures of books next to foodstuffs, candles (dangerous), flora (not the marge), bedding and Apple products. The book lovers lifestyle is obviously lots of reading in bed by candlelight, surrounded by houseplants, munching on snacks and incessantly checking ones social media

Sarah Hope
5つ星のうち5.0
a timeless adventure for all ages
2019年8月19日に英国でレビュー済みAmazonで購入
The Hobbit is a wondrous tale of adventure and heroism set in the fantasy realm of middle-earth. Bilbo Baggins, an unambitious Hobbit is unwillingly recruited as a burglar by a party of dwarves and sent on a most extraordinary adventure. Coming head to head against trolls, goblins, wolves and the mighty dragon Smaug, Bilbo faces his worst fears, makes some unlikely allies, travels further than ever before and is changed, forever.
Having watched the three Hobbit films a few years back, and having only a vague recollection of their events, I was unsure what to expect when I started this book, needless to say I thoroughly enjoyed it. I love reading classical literature that has this beautiful old-timey English and the Hobbit was no exception, the wonder and pureness of it never fails to transport me into days gone by.
Bilbo is a funny, likeable character who’s thoughts actions and conversations are so wonderfully innocent that I immediately fell in love with him. His character evolution throughout the book made reading this a true delight. My only complaint is that I didn’t read this sooner.
It really isn’t difficult to see why this book became a classic and I honestly believe that regardless of your age, knowledge of middle-earth or affinity for the fantasy genre, there’s something that everyone can take away from reading this.
Having watched the three Hobbit films a few years back, and having only a vague recollection of their events, I was unsure what to expect when I started this book, needless to say I thoroughly enjoyed it. I love reading classical literature that has this beautiful old-timey English and the Hobbit was no exception, the wonder and pureness of it never fails to transport me into days gone by.
Bilbo is a funny, likeable character who’s thoughts actions and conversations are so wonderfully innocent that I immediately fell in love with him. His character evolution throughout the book made reading this a true delight. My only complaint is that I didn’t read this sooner.
It really isn’t difficult to see why this book became a classic and I honestly believe that regardless of your age, knowledge of middle-earth or affinity for the fantasy genre, there’s something that everyone can take away from reading this.

T
5つ星のうち5.0
A great story
2018年10月3日に英国でレビュー済みAmazonで購入
The best way to enjoy and truly understand J R R Tolkien's classic masterpiece The Lord of the Rings is to invest a little time in reading The Hobbit. Not necessarily first, but certainly at some point. The writing styles of each book are quite different. The Hobbit was originally intended for the pleasure of children and was, I understand, created with that purpose in mind. Even so, it can be enjoyed by children of all ages.

Thiago Luzzi
5つ星のうち4.0
Boa história em edição barata
2019年12月16日にブラジルでレビュー済みAmazonで購入
🐉🗻 — 1. SOBRE A EDIÇÃO
— 1.1. Esta é uma avaliação da edição ilustrada para Kindle, que comprei por R$ 7,00.
— 1.2. Embora eu não tenha um conhecimento profundo da gramática inglesa, creio poder afirmar que a edição é correta, sem falhas significativas de revisão.
— 1.3. O e-book é ilustrado, mas suas bonitas imagens só serão aproveitadas de fato por quem o ler em uma tela colorida. No Kindle convencional elas ficam pequenas e muito acinzentadas. Ademais, as páginas ilustradas demoram um bocado para carregar; meu Kindle é meio antigo, mas não sei se é por isso ou por conta do tamanho dos arquivos de imagem.
— 1.4. A aventura narrada em “The Hobbit” passa-se na Terra Média, vasto ambiente ficcional criado por Tolkien, que fez acompanharem o livro dois mapas. Estes também são difíceis de consultar no e-reader; num livro físico basta virar as páginas, mas no digital é preciso “navegar” pelo arquivo, o que toma tempo e dificulta a leitura. Sugiro abrir os mapas no “Kindle para PC” e imprimi-los. Tentarei também anexá-los a esta resenha.
— 1.5. Há algumas notas de rodapé, cuja interligação não funcionou muito bem em meu Kindle. Nada que prejudicasse a compreensão do texto.
🐉🗻 — 2. SOBRE A HISTÓRIA
— 2.1. Os fatos relatados em “O Hobbit” são anteriores àqueles de “O Senhor dos Anéis”; o protagonista do primeiro, Bilbo Baggins, é tio de Frodo, portador do Um Anel no segundo.
— 2.2. As referências de “O Hobbit” a “O Silmarillion”, espécie de Antigo Testamento* do universo mítico de Tolkien, são poucas e fáceis; não é necessário ler este para entender o aquele. Por outro lado, recomendo a leitura tanto do “Hobbit” quanto do “Silmarillion” como preparação para encarar o “Senhor dos Anéis”.
(*Sobre a expressão “Antigo Testamento”, v. esta resenha ao Silmarillion:
https://www.amazon.com.br/review/R2V06SSYIKA1ZY/ref=cm_cr_srp_d_rdp_perm?ie=UTF8 🔗)
— 2.3. O inglês de “O Hobbit” é relativamente simples; embora o autor utilize alguns termos arcaicos, sua sintaxe é clara e o vocabulário pode ser dominado logo (sugiro a consulta ao “Google Imagens” para os nomes de acidentes geográficos).
Enquanto em “O Silmarillion” temos uma narrativa em tom mítico e estilo bíblico, e no “Senhor dos Anéis” uma fantasia épica com traços de romance aventuresco, “O Hobbit” é praticamente de conto de fadas. Não se pense, porém, que com isso seja uma história para criancinhas; esta narrativa fantástica é capaz de produzir e sustentar uma impressão de “sabedoria latente” — vetusta como Gandalf, caseira como Bilbo — que, a par das peripécias, muito entreterá o leitor adulto.
A aventura de Bilbo Baggins, seu “there and back again”, é um processo de transformação vital, no qual cada um de nós poderá se enxergar, mas cada um de maneira sempre particular, levemente adaptada ou traduzida. Eis aí uma possível definição de “símbolo”.
— 2.4. Ainda sobre a linguagem empregada, vale destacar a relação lúdica que Tolkien estabelece com a sonoridade, com a melodia da língua inglesa. As canções de elfos e anões são prova disso, e na pena do autor até as preposições, que têm fama de vazias e sensaboronas, ganham relevo:
«The return of Mr. Bilbo Baggins created quite a disturbance, both under the Hill and over the Hill, and across the Water; it was a great deal more than a nine days’ wonder.»
As primeiras páginas do Capítulo V, “Riddles in the Dark”, brindam-nos com uma série de frases deliciosas. Olhe por alguns instantes para fotografias do velho J.R.R. Tolkien, e em seguida leia seu texto em voz alta, como um avô lendo para seus netos — ou como seu avô para você.
« Deep down here by the dark water lived old Gollum, a small slimy creature. I don’t know where he came from, nor who or what he was. He was Gollum — as dark as darkness, except for two big round pale eyes in his thin face. He had a little boat, and he rowed about quite quietly on the lake; for lake it was, wide and deep and deadly cold. »
— 2.5. Por fim, Tolkien mostra-se habilidoso na técnica de produzir tempo e espaço com palavras. “O Hobbit” é um conto de aventura e viagem, e para descrever uma viagem é preciso fazer com que a distância entre os diferentes cenários deixe-se sentir por mais do que palavras indicativas de lapso temporal (“três dias”) ou espacial (“trinta milhas”).
Temos o mapa, é claro, mas acima do mapa reina a história; a esta Tolkien confere duração por meio do ritmo das frases, da inclusão de detalhes e acontecimentos intermediários, da alternância de aspetos objetivos (auroras e crepúsculos, estações do ano, paisagens) e subjetivos (fome, sono, cansaço, ânimo), facultando ao leitor uma experiência espessa, no tempo e no espaço, da jornada de Bilbo, Gandalf e os anões.
🐉🗻 — 3. VEREDICTO
« In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. »
“O Hobbit” não uma história genial e grandiosa, mas justa e boa, que nos captura com facilidade e consegue ir além do mero entretenimento. A edição é barata, o que compensa as dificuldades que relatei — mapas, ilustrações, notas.
De zero a dez, temos uma nota oito — mas um oito cheio, redondo, numa poltrona confortável e com um café pequeno ao lado. Não há nota mais digna para um Hobbit.
— 1.1. Esta é uma avaliação da edição ilustrada para Kindle, que comprei por R$ 7,00.
— 1.2. Embora eu não tenha um conhecimento profundo da gramática inglesa, creio poder afirmar que a edição é correta, sem falhas significativas de revisão.
— 1.3. O e-book é ilustrado, mas suas bonitas imagens só serão aproveitadas de fato por quem o ler em uma tela colorida. No Kindle convencional elas ficam pequenas e muito acinzentadas. Ademais, as páginas ilustradas demoram um bocado para carregar; meu Kindle é meio antigo, mas não sei se é por isso ou por conta do tamanho dos arquivos de imagem.
— 1.4. A aventura narrada em “The Hobbit” passa-se na Terra Média, vasto ambiente ficcional criado por Tolkien, que fez acompanharem o livro dois mapas. Estes também são difíceis de consultar no e-reader; num livro físico basta virar as páginas, mas no digital é preciso “navegar” pelo arquivo, o que toma tempo e dificulta a leitura. Sugiro abrir os mapas no “Kindle para PC” e imprimi-los. Tentarei também anexá-los a esta resenha.
— 1.5. Há algumas notas de rodapé, cuja interligação não funcionou muito bem em meu Kindle. Nada que prejudicasse a compreensão do texto.
🐉🗻 — 2. SOBRE A HISTÓRIA
— 2.1. Os fatos relatados em “O Hobbit” são anteriores àqueles de “O Senhor dos Anéis”; o protagonista do primeiro, Bilbo Baggins, é tio de Frodo, portador do Um Anel no segundo.
— 2.2. As referências de “O Hobbit” a “O Silmarillion”, espécie de Antigo Testamento* do universo mítico de Tolkien, são poucas e fáceis; não é necessário ler este para entender o aquele. Por outro lado, recomendo a leitura tanto do “Hobbit” quanto do “Silmarillion” como preparação para encarar o “Senhor dos Anéis”.
(*Sobre a expressão “Antigo Testamento”, v. esta resenha ao Silmarillion:
https://www.amazon.com.br/review/R2V06SSYIKA1ZY/ref=cm_cr_srp_d_rdp_perm?ie=UTF8 🔗)
— 2.3. O inglês de “O Hobbit” é relativamente simples; embora o autor utilize alguns termos arcaicos, sua sintaxe é clara e o vocabulário pode ser dominado logo (sugiro a consulta ao “Google Imagens” para os nomes de acidentes geográficos).
Enquanto em “O Silmarillion” temos uma narrativa em tom mítico e estilo bíblico, e no “Senhor dos Anéis” uma fantasia épica com traços de romance aventuresco, “O Hobbit” é praticamente de conto de fadas. Não se pense, porém, que com isso seja uma história para criancinhas; esta narrativa fantástica é capaz de produzir e sustentar uma impressão de “sabedoria latente” — vetusta como Gandalf, caseira como Bilbo — que, a par das peripécias, muito entreterá o leitor adulto.
A aventura de Bilbo Baggins, seu “there and back again”, é um processo de transformação vital, no qual cada um de nós poderá se enxergar, mas cada um de maneira sempre particular, levemente adaptada ou traduzida. Eis aí uma possível definição de “símbolo”.
— 2.4. Ainda sobre a linguagem empregada, vale destacar a relação lúdica que Tolkien estabelece com a sonoridade, com a melodia da língua inglesa. As canções de elfos e anões são prova disso, e na pena do autor até as preposições, que têm fama de vazias e sensaboronas, ganham relevo:
«The return of Mr. Bilbo Baggins created quite a disturbance, both under the Hill and over the Hill, and across the Water; it was a great deal more than a nine days’ wonder.»
As primeiras páginas do Capítulo V, “Riddles in the Dark”, brindam-nos com uma série de frases deliciosas. Olhe por alguns instantes para fotografias do velho J.R.R. Tolkien, e em seguida leia seu texto em voz alta, como um avô lendo para seus netos — ou como seu avô para você.
« Deep down here by the dark water lived old Gollum, a small slimy creature. I don’t know where he came from, nor who or what he was. He was Gollum — as dark as darkness, except for two big round pale eyes in his thin face. He had a little boat, and he rowed about quite quietly on the lake; for lake it was, wide and deep and deadly cold. »
— 2.5. Por fim, Tolkien mostra-se habilidoso na técnica de produzir tempo e espaço com palavras. “O Hobbit” é um conto de aventura e viagem, e para descrever uma viagem é preciso fazer com que a distância entre os diferentes cenários deixe-se sentir por mais do que palavras indicativas de lapso temporal (“três dias”) ou espacial (“trinta milhas”).
Temos o mapa, é claro, mas acima do mapa reina a história; a esta Tolkien confere duração por meio do ritmo das frases, da inclusão de detalhes e acontecimentos intermediários, da alternância de aspetos objetivos (auroras e crepúsculos, estações do ano, paisagens) e subjetivos (fome, sono, cansaço, ânimo), facultando ao leitor uma experiência espessa, no tempo e no espaço, da jornada de Bilbo, Gandalf e os anões.
🐉🗻 — 3. VEREDICTO
« In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. »
“O Hobbit” não uma história genial e grandiosa, mas justa e boa, que nos captura com facilidade e consegue ir além do mero entretenimento. A edição é barata, o que compensa as dificuldades que relatei — mapas, ilustrações, notas.
De zero a dez, temos uma nota oito — mas um oito cheio, redondo, numa poltrona confortável e com um café pequeno ao lado. Não há nota mais digna para um Hobbit.

Bex
5つ星のうち4.0
A World I'd Love To Explore To The Ends Of Its Map.
2020年5月11日に英国でレビュー済みAmazonで購入
Who would have thought that reading about short, hairy footed creatures with a peculiar nature and a distinct lack of wanting to leave the safety of their Hobbit-Hole would be enjoyable. If you'd asked me before, I would have unquestionably chosen Elves as my most favourite of Tolkien's creations. But maybe I was wrong, because it turns out Hobbits are more relatable and far more hilarious than originally thought; hairy feet aside. It would appear that Hobbits are also stupendously resilient, loyal and respectable creatures with far less sass than Elves!
I would imagine it would be quite difficult to find someone who didn't know the tale of The Hobbit, at the very least from the movies. But The Hobbit, the novel, is something else entirely and an experience all its own. Tolkien's narrative is lyrical, completely compelling and, whilst not nonsensical at all, has a whimsical feel to it akin to Alice in Wonderland. I adored how the story is addressed to the reader, as though a secret is being shared of a story well-known and enjoyed between friends. Perhaps that was Tolkien's intention, given that it was ostensibly a tale to entertain his children, initially.
There are some unusual choices and some areas which, for me, lack depth. It feels absolutely crazy to say that about a world so rich and beautiful, but The Hobbit really does feel like a more accessible and less descriptive world than that of The Lord of the Rings, presumably to allow for a younger audience to enjoy it. Battle scenes, deaths and transitions between key moments are sometimes more quickly resolved than I expected from such a rich tapestry, and character connections are formed with the reader from very superficial descriptions. Because of this, I didn't enjoy the book as much as I expected to, and nor did I really feel the connection I hoped to with key characters. But you'd be hard pressed to criticise this book anywhere else.
The Hobbit is a perfect adventure; a terrifying, hilarious and heart warming combination uniquely its own. Tolkien's imagination is limitless, and The Hobbit feels so small in the grand scheme of the world he created, but it's a world I would gladly explore to the ends of its map.
I would imagine it would be quite difficult to find someone who didn't know the tale of The Hobbit, at the very least from the movies. But The Hobbit, the novel, is something else entirely and an experience all its own. Tolkien's narrative is lyrical, completely compelling and, whilst not nonsensical at all, has a whimsical feel to it akin to Alice in Wonderland. I adored how the story is addressed to the reader, as though a secret is being shared of a story well-known and enjoyed between friends. Perhaps that was Tolkien's intention, given that it was ostensibly a tale to entertain his children, initially.
There are some unusual choices and some areas which, for me, lack depth. It feels absolutely crazy to say that about a world so rich and beautiful, but The Hobbit really does feel like a more accessible and less descriptive world than that of The Lord of the Rings, presumably to allow for a younger audience to enjoy it. Battle scenes, deaths and transitions between key moments are sometimes more quickly resolved than I expected from such a rich tapestry, and character connections are formed with the reader from very superficial descriptions. Because of this, I didn't enjoy the book as much as I expected to, and nor did I really feel the connection I hoped to with key characters. But you'd be hard pressed to criticise this book anywhere else.
The Hobbit is a perfect adventure; a terrifying, hilarious and heart warming combination uniquely its own. Tolkien's imagination is limitless, and The Hobbit feels so small in the grand scheme of the world he created, but it's a world I would gladly explore to the ends of its map.